![]() The taint associated with selling Grateful Dead tapes has caused most old-time Deadheads, particularly on the East Coast, to elide the historical fact that most of us first heard unreleased Grateful Dead music on bootleg lps. However, there is a contrary side to the story: the Grateful Dead may have felt they had little choice but to accept audience taping and encourage their free exchange. The Dead's open-mindedness towards taping, probably stemming largely from Jerry Garcia's bluegrass days, rather unexpectedly was the key to their future success. Certainly, the Dead's willingness to let people tape their shows created a different kind of enthusiasm from their fans, the kind that made them travel hundreds of miles for days on end in order to catch as many shows as possible. The Dead's policy is usually seen as a precursor to Internet culture, before the Internet was even a culture. The Grateful Dead are renowned for their comfort with allowing their audiences to tape their shows. Like many Dead bootlegs available on the West Coast, it was a single album with a gatefold cover. The Grateful De ad At The Hollywood Palladium lp, recorded on August 6, 1971. ![]()
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